All posts by Thomas Stirr

Thomas Stirr is an author, executive coach, and photographer/videographer based in Grimsby Ontario Canada. He specializes in industrial photography, safety and corporate videos. His work also includes landscape and nature photography, and experimentation with photo art. Nikon Canada has featured Tom's work numerous times on Facebook and Twitter. To follow Thomas, please visit his website and his YouTube channel

Mosaiculture – Photography in Large Public Venues

Many of us visit and take images in large, public venues such as gardens and exhibitions which can be challenging from a photographic perspective. I thought it may be interesting to share some images I took at the Mosaiculture exhibit in Montreal in 2013 and some of the approaches I used at the event. Continue reading Mosaiculture – Photography in Large Public Venues

Focus Stacking Example

For most people who just want to have some fun with their photography and have another ‘trick up their sleeve’ focus stacking can be an interesting technique to explore. To put this article in proper context, I’ve never used focus stacking for any of my client work, and I don’t profess to be an expert at the technique…but I have experimented with it. The following image is a quick focus stacking example I put together for this article. It was composed from 11 separate exposures. It’s far from perfect, but it does represent a typical result that most hobbyists can easily achieve. Continue reading Focus Stacking Example

Purchase considerations when buying a large format printer

For many photographers there comes a time when investments in equipment (other than buying cameras, lenses, and lighting) becomes necessary for the growth and profitability of their business. Depending on the nature and volume of their work purchasing equipment such as large format printers, laminators and trimmers can make economic sense. Continue reading Purchase considerations when buying a large format printer

Improving image eye flow by creating corner exits

Back in the day when I was working in corporate life I gained quite a bit of experience creating and managing advertising, usually print based. When we designed ads it became second nature for us to constantly think about fundamental concepts like visual depth, dominating elements, and ad balance. The goal was to achieve good eye flow in the ad. Since leaving corporate life I’ve tried to apply what I learned about advertising design to my photography.
Continue reading Improving image eye flow by creating corner exits

The Magic of “7” in Composition

This article will no doubt be the shortest one I will ever write about image composition as it contains only one, very simple idea. And, that is the number “7”. If you’re like me and tend to see the world around you as shapes and angles when you have a camera in your hands then this should resonate very strongly with you. Continue reading The Magic of “7” in Composition

Using Foreground Elements in Landscape Photography

Often when we are creating images, especially landscapes, we can get so focused on the main subject that we forget to think about incorporating a foreground element to help add depth and drama to our scene. There are a number of different approaches we can use. In this short article I’ll be illustrating three simple and effective ways you can incorporate foreground elements into your images. The first is something that I like to call a ‘bottom band’ during my landscape seminars. Continue reading Using Foreground Elements in Landscape Photography