This article shares some photographs from a recent dragonflies with MC-20 handheld test that I did at the Royal Botanical Gardens in Burlington Ontario. While my favourite teleconverter is the M.Zuiko MC-14, I do occasionally use the M.Zuiko MC-20 when I need some additional reach.
This short article features 6 consecutive images of a dragonfly being attacked by a much smaller insect, perhaps of wasp of some sort. All of the photographs were captured handheld using my E-M1X’s Pro Capture H technology.
Depending on the camera gear a photographer owns, their choice for some additional stabilization or acquiring a difficult shooting angle, may come down to using a tripod or stool. It has been over three years since I began shooting with Olympus M4/3 camera gear and thus far I’ve not had any need to use any of my tripods or a monopod. This would change if I began to experiment with light painting using the Live Composite mode.
I recently had the opportunity to photograph some dragonflies at the RBG (Royal Botanical Gardens) that were frequenting one of the ponds. The breeze was a bit calmer than it has been in the past so I decided to try my hand at some Handheld Hi Res images, as well as capturing some dragonflies in flight.
This article discusses the benefit of custom modes and illustrates this with 18 recently captured consecutive handheld images of a kingfisher in flight.
A few days ago I went to Hendrie Valley early in the morning to see if I could capture any images of birds-in-flight. This season has not been particularly productive so my level of optimism was modest.
There are four bird photography fundamentals we can keep in mind that help add some interest, action, and drama to our images. Rather than camera gear based fundamentals, they relate to the kinds of behaviours that birds exhibit. To state these four bird photography fundamentals as politely as possible these include flying, feeding, fighting, and fornicating. I like to call these the “four F’s” of bird photography. Of course, this doesn’t mean that we should stop photographing perched birds.
This article features a number of new images of terns at Grimsby Harbour with most of the birds in-flight. This has been an unusual spring birding season with some locations like Hendrie Valley not being very productive.
Working within practical limits is something that we all face on a regular basis, regardless of the camera gear that we may own. Rather than blindly accept what other people think the practical limits of specific piece of photographic equipment may be, it is important for each of us to do our own experimentation. This enables us to establish what we consider to be the practical limits of various components of our integrated camera systems based on our photographic style, image use, and our individual skill sets.
This article shares some in-camera focus stacking test images captured handheld with an M.Zuiko 100-400 mm f/5-6.3 IS zoom lens. I really didn’t know what to expect using my E-M1X’s in-camera focus stacking capability with this particular lens. In the past I most often used the M.Zuiko PRO 40-150 mm f/2.8 zoom or the M.Zuiko 60 mm f/2.8 macro with in-camera focus stacking.
The 100-400 does have a reasonably short minimum focusing distance of 1.3 metres, so I thought this test was worth a try. These test photographs fall under the ‘let’s see what happens’ category.