It is interesting to consider camera product compatibility and differentiation, as sometimes these factors can work at cross purposes. There are photographers who feel that OMDS should make its proprietary computational photography technologies compatible with lenses from other manufacturers. And, that OMDS should expand the compatibility of these technologies further down its own product line to include less expensive lenses.
Some other photographers are upset that Canon appears to be ready to bar third party lens manufacturers from using its new camera mount and suing them if they attempt to reverse engineer the design. Some folks wonder if this could eventually lead to third party lens manufacturers disappearing down the road.
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This article features five consecutive images of a dragonfly tussle that occurred during an August 2022 visit to the Royal Botanical Gardens (RBG). I had been photographing dragonflies taking off and landing on some of the pond plants at the RBG when this interaction transpired.
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Earlier this summer I captured a Pro Capture H run of a dragonfly doing a 180 degree turn while taking flight. Dragonflies can be erratic when taking flight but seldom change directions as abruptly as this maneuver. This run of 8 consecutive Pro Capture H images falls under the ‘slice of life’ category.
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This article shares some photographs from a recent dragonflies with MC-20 handheld test that I did at the Royal Botanical Gardens in Burlington Ontario. While my favourite teleconverter is the M.Zuiko MC-14, I do occasionally use the M.Zuiko MC-20 when I need some additional reach.
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This short article features 6 consecutive images of a dragonfly being attacked by a much smaller insect, perhaps of wasp of some sort. All of the photographs were captured handheld using my E-M1X’s Pro Capture H technology.
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Depending on the camera gear a photographer owns, their choice for some additional stabilization or acquiring a difficult shooting angle, may come down to using a tripod or stool. It has been over three years since I began shooting with Olympus M4/3 camera gear and thus far I’ve not had any need to use any of my tripods or a monopod. This would change if I began to experiment with light painting using the Live Composite mode.
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I recently had the opportunity to photograph some dragonflies at the RBG (Royal Botanical Gardens) that were frequenting one of the ponds. The breeze was a bit calmer than it has been in the past so I decided to try my hand at some Handheld Hi Res images, as well as capturing some dragonflies in flight.
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This article shares some in-camera focus stacking test images captured handheld with an M.Zuiko 100-400 mm f/5-6.3 IS zoom lens. I really didn’t know what to expect using my E-M1X’s in-camera focus stacking capability with this particular lens. In the past I most often used the M.Zuiko PRO 40-150 mm f/2.8 zoom or the M.Zuiko 60 mm f/2.8 macro with in-camera focus stacking.
The 100-400 does have a reasonably short minimum focusing distance of 1.3 metres, so I thought this test was worth a try. These test photographs fall under the ‘let’s see what happens’ category.
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We live in a photographic age that is causing us to redefine camera systems well beyond our previous, and simplistic, two dimensional view. It wasn’t that many years ago when many photographers only considered two factors. The camera body. And, the lenses associated with it. In the past some cameras were bought more because of the lenses that could be married to it, rather than specific attributes of the body itself.
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I visited the Royal Botanical Gardens yesterday and was able to capture some images of a twelve-spotted skimmer in flight. These were some of my first images of dragonflies captured during the 2022 season.
Continue reading Twelve-spotted Skimmer In Flight