Over the past couple of days I’ve received a number of personal emails asking me about using Nikon 1 versus Olympus for bird photography. The intent of this article is to describe my experiences using both camera systems. This is a very extensive article, so grab yourself a cup of coffee… or make a pot of tea… and be prepared to spend some time.
Continue reading Nikon 1 Versus Olympus for Bird Photography
This article shares a selection of Wyoming landscape images that were captured handheld during a self-drive photography tour we did through South Dakota, Wyoming, Utah and Colorado a few years ago. We were on a pretty tight schedule and covered 10,187 km (~6,330 miles) during our 26 day trip. Unfortunately we didn’t have much time to spend in Wyoming.
This article features 16 consecutive photographs of a tern in mid-air at 60 fps. These images were captured handheld using a Nikon 1 V2 and a 1 Nikkor 70-300 mm f/4.5-5.6 telephoto zoom lens.
I recently spent some time revisiting some of my Nikon 1 V2 butterfly images, and reprocessing them in post. Since I made some changes to my approach to post processing by adding Topaz Denoise AI, I thought it would be interesting to re-do some old RAW files from 2015. All of the photographs in this article were captured handheld with a Nikon 1 V2, fitted with a 1 Nikon 30-110 mm f/3.8-5.6 zoom, and using MOVO extension tubes.
This article features a selection of hawk image rescue attempts that I did in post processing this morning. As regular readers will know I recently added Topaz Denoise AI to my standard post processing approach.
This article discusses small sensor landscape photography. It may be a good idea to grab a cup of coffee or brew some tea, and settle in for a while… as this is a fairly lengthy article.
We typically want to achieve deep depth-of-field with landscape images. So, our choice of lens focal length, aperture and focusing distance all need to be considered. It is also important to use as low an ISO value as possible to maintain the most dynamic range and colour depth in our landscape photographs when using small sensor cameras.
Camera and lens rumours abound on the internet. There are a number of websites that specifically focus on this type of content.
During our trip to Italy last year I had the opportunity to capture some images of Pompeii patterns and details during our walking tour of the archaeological site.
This article discusses working with overcast landscape images in post, and some of the simple approaches that can be used. To help illustrate some of these techniques, this posting shares six pairs of photographs. An out-of-camera jpeg, as well as an image produced from the corresponding RAW file.
This short article features a selection of photographs of an Irish mallard in-flight. These were captured during our photography field trip to Ireland in the spring of 2019. While the main objective of our trip was to capture landscape and rural images, I took a Nikon 1 V3 fitted with a 1 Nikkor CX 70-300 mm f/4.5-5.6 with me just in case I had the opportunity to photograph some wildlife.
