Last week I had an opportunity to spend about an hour at Peggy’s Cove capturing some travel images with the M.Zuiko 14-150 mm II zoom. We had a late breaking business consulting project confirmed, so we ended up driving out to Halifax, Nova Scotia. It was a whirlwind visit that saw us drive over 4,250 kilometres during the 10 days we were away.
Incorporating a foreground element in our compositions is an important way to add a feeling of depth to our landscape images. This approach, combined with our choice of focal length and aperture can help create deep depth-of-field.
Since more people are resuming travel that was interrupted by a couple of years of COVID-19 lockdowns, we thought a quick review of some landscape photography fundamentals may be helpful.
This article discusses a number of reasons why I prefer using zoom lenses rather than shooting with prime lenses. I appreciate that the choices we make with our camera gear are intensely personal, so this article is not intended to convince anyone else to adjust their approach. The camera gear that works for one photographer may not be a fit for the needs of another.
As photographers we sometimes execute a purposeful underexposure in order to create a special mood or artistic interpretation in our images. This article discusses this approach and provide a few sample images. Continue reading Purposeful Underexposure
As photographers… and as human beings… learning to see more is an important skill that helps to transform how we experience the world around us. From a photographic standpoint, it has always fascinated me how differently people can capture the world around them, even when standing right next to another photographer.
It can be instructive to remember that sometimes less can be more when it comes to how we compose an image. In my last article I mentioned that we can learn a great deal by going through old images and thinking about how we could improve them. This posting discusses lessons that I learned from reviewing three old photographs captured back in the fall of 2014.
This article shares some bird portraiture considerations and illustrates them primarily with a selection of photographs of a crested caracara.
This article discusses cropping bird photographs and provides a number of sample images to illustrate some approaches that can be used. Photographic composition is very subjective. So, you may, or may not, agree with some of the approaches used in this article. The objective of this posting is simply to illustrate some cropping options that can be considered.
This article shares a selection of landscape photographs and discusses factors that were considered when creating these Crawford Lake compositions.