Before investing in camera gear it is critical that we have a clear understanding of our shooting style, as this helps us avoid making gear purchase mistakes.
In a previous article, I recently let readers know that I would not be
purchasing the M.Zuiko PRO 90mm f/3.5 Macro IS lens. I received a few emails from readers requesting more information and explanation.
Continue reading Shooting Style →
This article features a selection of handheld focus stacked HHFS frog images that were captured at the Royal Botanical Gardens using an M.Zuiko 60 mm f/2.8 macro lens. As noted in a previous article, my E-M1X was set to 10 focus stacked frames with a focus differential of 4.
Continue reading HHFS Frog Images →
This article discusses using slow shutter speeds with handheld focus stacking (HHFS), and shares some new macro snake images captured with shutter speeds from 1/20 to 1/4 of a second.
Yesterday I visited a special frog display at the Royal Botanical Gardens… which also happened to have a trio of water snakes in one of the exhibits. The event gave me the opportunity to get some practice time in doing handheld in-camera macro focus stacking. Continue reading Slow Shutter HHFS →
This article discusses handheld macro photography and why I prefer using my Olympus E-M1X and M.Zuiko 60 mm macro lens over the full frame gear I owned in the past.
As regular readers know, I very much dislike using a tripod and only do so when it’s absolutely necessary. In the past when I tried to create handheld macro images with my full frame equipment I would very seldom get any useable images. I simply could not hold my full frame equipment steady enough. It was an exercise in frustration. My full frame gear always seemed to get in the way of my creativity.
Continue reading Handheld Macro →
Today marks the end of Year 8 for this photography website with 1,237 articles having been published since 2015, and 127 added this year. It certainly has been an interesting ride to be here with all of you again this year.
Continue reading Year 8 →
It can be an enjoyable creative experiment to produce a series of images in keeping with a theme like Emerging From Darkness. Using a mirrorless camera system for this type of creative execution is ideal since we can see how our images will look in real time without any guesswork. Obviously this is important when purposely underexposing images.
Continue reading Emerging From Darkness →
Yesterday I visited Niagara Falls with my wife, and took the opportunity to create some Floral Showhouse HHFS (handheld focus stacked) photographs.
All of the images featured in this article were captured handheld using an M.Zuiko 60 mm macro f/2.8 lens, along with the in-camera focus stacking technology resident in my E-M1X . I had my camera set to record and combine 10 photographs per capture, with a focus differential of 4.
Continue reading Floral Showhouse HHFS →
Sometimes when we’re out with our cameras the world around us doesn’t cooperate, and only offers us slim pickings in terms of subject matter. Such was the case last Saturday. It was a very quiet morning for bird photography at Hendrie Valley. So… I left early and headed off to the Royal Botanical Gardens. Rather than being greeted by a plethora of flower image opportunities… slim pickings awaited me.
Continue reading Slim Pickings →
This article discusses some handheld flower photography options and features a range of images captured using various cameras and techniques. The majority of the photographs illustrated in this posting were created using an E-M1X.
Continue reading Handheld Flower Photography →
Depending on the camera gear a photographer owns, their choice for some additional stabilization or acquiring a difficult shooting angle, may come down to using a tripod or stool. It has been over three years since I began shooting with Olympus M4/3 camera gear and thus far I’ve not had any need to use any of my tripods or a monopod. This would change if I began to experiment with light painting using the Live Composite mode.
Continue reading Tripod Or Stool →