This article features high ISO crops of some handheld photographs I originally captured back in June 2019 shortly after I acquired my Olympus gear. I shoot my E-M1X up to ISO-6400 when required but seldom use ISO values above that. So, most of these photographs fall firmly in the test category.
This article features a small collection of lasso tool quick samples showing some adjustments made with this PhotoShop tool. It is a fairly simple tool to use and can make a difference to images for photographers who don’t mind spending a little more time in post with their files. I assume other software programs have similar capability.
During an early morning visit to Hendrie Valley last fall I was fortunate to come across an egret preening in some softer light. Lighting like this is helpful when photographing white birds in terms of capturing more feather details. This article discusses some of the decisions that I made when capturing these photographs, and also when I was working on them in post.
This article discusses various considerations when creating high contrast swan images and some approaches that can be used in post. When we’re out with our cameras it can be beneficial to look beyond what we are physically seeing with our eyes, and imagining a photograph in our brains.
With autumn in Canada fast approaching I spent some time capturing some high ISO bee in flight images with shutter speeds up to 1/5000. This was likely my last opportunity this year to do some testing with fast shutter speeds and related high ISO values with this subject matter. The photographs in this article were captured at ISO values between ISO-2500 and ISO-6400. All were captured handheld with an E-M1X, M.Zuiko 100-400 mm f/5-6.3 IS zoom lens and M.Zuiko MC-14 teleconverter using Pro Capture H.
This article discusses some of the potential benefits and challenges when using multiple programs in post processing. As regular readers will know, I’ve been using multiple programs in post for many years now. About 8 years ago I started using DxO OpticsPro 8 as my main RAW processor. I’ve been using DxO software in conjunction with PhotoShop CS6 and the Nik Collection for an extended period of time. In 2020 I added Topaz Denoise AI to my process in post.
This article features a photograph of a squirrel at ISO-16000. The RAW file was processed using both DxO PhotoLab 4 DeepPRIME and Topaz Denoise AI.
This article shares some thoughts on noise reduction considerations that many of us face when deciding on our approach in post processing. There certainly has been a lot of buzz lately with new software like Topaz Denoise AI and DxO PhotoLab 4 with its DeepPRIME function, coming to market.
This article features a selection of hawk image rescue attempts that I did in post processing this morning. As regular readers will know I recently added Topaz Denoise AI to my standard post processing approach.
It’s been about 2 weeks since I began experimenting with integrating Topaz AI into my post processing workflow. During this period I’ve had a number of personal emails from readers asking if I’ve decided to keep using DxO PRIME or switch to Topaz Denoise AI. Most also wanted to know if I would be using Topaz Sharpen AI on a regular basis. I’ve finally reached a decision.