This article discusses some handheld flower photography options and features a range of images captured using various cameras and techniques. The majority of the photographs illustrated in this posting were created using an E-M1X.
The reason for that is very simple. The E-M1X provides some wonderful handheld flower photography options with technology like in-camera focus stacking, HHHR (Handheld Hi Res), incredible IBIS performance, and a fully articulating rear screen.
I’ve used full frame gear and Nikon 1 equipment in the past to photograph flowers with quite reasonable results. Having said that, I much prefer the wider selection of handheld flower photography options provided by the E-M1X. The new OM-1 also provides the same options.
As you view the E-M1X flower images and corresponding EXIF data, you’ll find that I used a number of different M.Zuiko lenses. These include the 60 mm f/2.8 macro, the PRO 40-150 mm f/2.8 zoom, the PRO 12-100 mm f/4 zoom, the 14-150 mm f/4-5.6 zoom, and the 100-400 mm f/5-6.3 zoom.
My two favourite M.Zuiko lenses for flower photography are the 60 mm f/2.8 macro, and the PRO 40-150 mm f/2.8 zoom. When specifically going out to photograph flowers these are my two ‘go to’ lenses. I also bring a set of Kenko extension tubes for potential use with the lenses I have with me.
Additionally, I will sometimes bring my MC-14 and MC-20 teleconverters for use with the PRO 40-150 f/2.8 and 100-400 mm f/5-6.5 IS zooms. As you can see from the image above, I will use other lenses if I happen upon some unplanned flower photography opportunities.
I must admit that I did not initially spend too much time using the E-M1X’s in-camera focus stacking technology. The output is a jpeg and I erroneously assumed that image quality may be somewhat suspect. As a photographer who has been long focused on shooting RAW format this was a bad assumption on my part.
The image quality from in-camera focus stacking jpegs is very good indeed… and in-camera focus stacking is now one of my favourite technologies to use when photographing flowers.
It allows me to shoot handheld at appropriate shutter speeds while using f-stops between f/2.8 to f/5.6 and still achieve my desired depth-of-field… while frequently creating images at base ISO-200.
When photographing flowers I almost always compose my images using the rear screen. The articulating screen on my E-M1X is a creative godsend. It allows me to compose photographs using a wide variety of angles, and in very cramped surroundings. Many images that I’ve captured would not have been possible using a tripod.
I am discerning when selecting blossoms to photograph. Some of my favourite image opportunities are found with flowers that are in bright, harsh light, and are well separated from a dark background.
This allows me to significantly underexpose the background while achieving a deep, rich exposure on the blossom. The results are often quite dramatic. Very minor adjustments in post with DxO Smart Lighting, and working with black and white sliders in PhotoShop can quickly get the blossoms to where I want them. Occasionally making some small adjustments in Levels in PhotoShop can further augment the photographs. Rather than push images in post I would rather ‘get it right in camera’ whenever possible.
I often use ‘rule of thirds’ composition, especially if the blossom has long petals that radiate from a centre point. Using a front quarter angle helps with these types of compositions.
When using in-camera focusing stacking I always use a small, single auto-focus point. In-camera focus stacking works differently than focus bracketing in terms of the best place to position a single AF point. In-camera focus stacking starts stacking 1/3 ahead of the AF point and continues 2/3 past the AF point into the subject. Focus bracketing should be done at the first surface you want in focus. It then works back from there.
There is a common misconception with some photographers that shallow depth-of-field cannot be achieved with a small sensor camera. It’s actually very easy to do.
To achieve shallow depth-of-field with a small sensor camera we need to remember to get in tight to a subject blossom. Use a longer focal length, a fairly wide open aperture, and select a subject blossom that is well separated from the background.
Some cameras like the Olympus TG-5 have technology like microscopic mode that can create some very pleasing images of blossoms.
The sensor is tiny but utilizes backside illumination so image quality can be acceptable for many purposes. The TG-5 (and similar models) can be shot in RAW which allows for more latitude in post.
Some lenses, like the M.Zuiko 14-150 mm f/4-5.6 II zoom, are not compatible with in-camera focus stacking… but they can still be used to photograph flowers. One technique is to attach an extension tube(s). This has a magnification-like effect and allows a photographer to better fill their frame with a blossom. The photograph above and the next three that follow help illustrate this approach.
Cameras like the E-M1X and OM-1 feature HHHR capability (Handheld Hi Res). By recognizing and adjusting for a photographer’s handheld movements, these cameras can combine 16 images in camera and produce a 50 MP RAW file. Not only does an HHHR photograph get increased resolution, but dynamic range is also increased, and high ISO noise is significantly reduced.
For best results the subject needs to be very still and a photographer needs to have good handheld technique.
The IBIS (in body image stabilization) with Olympus/OM System cameras is outstanding with models like the E-M1X and OM-1 providing up to 7 stops of image stabilization. While we often think of IBIS enabling us to shoot at very slow shutter speeds, IBIS can also provide great assistance when shooting one handed.
Often when in outdoor gardens or when visiting indoor floral displays, specific blossoms may be very hard to reach. Sometimes the best handheld flower photography option is to shoot one handed. The next four images are examples of shooting one handed with an E-M1X.
The shutter speeds used in these sample images are not slow. But keep in mind that a photographer may be stretched out as far as is physically possible in order to be able to capture images like these one handed.
Depending on the skill of a photographer, HHHR and in-camera focus stacking images can also be captured using one handed technique.
Some camera systems, like Nikon 1, do not offer a dedicated macro lens. In these situations a good handheld flower photography option is using extension tubes with relatively long telephoto zoom lenses like the 1 Nikkor 30-110 mm f/3.8-5.6. These combinations can produce very good macro-like results.
We can also create very interesting handheld flower photography images by going out after a light or moderate rainfall. Heavy downpours can sometimes damage delicate blossoms. Raindrops on flower petals and leaves can add a feeling of freshness to an image.
In the past when I was using full frame camera gear tripod assisted, photographing flowers tended to be a slow and tedious process. I felt confined and restricted creatively. Now, I absolutely love the freedom and spontaneity that handheld flower photography provides. Combining computational photography capabilities like in-camera focus stacking and Handheld Hi Res with outstanding IBIS performance and an articulating rear screen dramatically increases what is possible both physically and creatively.
Photographs were captured handheld using camera gear as noted in the EXIF data. Images were created from RAW files or out-of-camera jpegs using my standard approach. Photographs were resized for web use. This is the 1,201 article published on this website since its original inception in 2015.
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