M.Zuiko 150-600 with MC-20

I recently did an M.Zuiko 150-600 with MC-20 teleconverter handheld field test at 40 Mile Creek in Grimsby. Many of the launch videos for the M.Zuiko 150-600 mm f/5-6.3 zoom lens done by OM Ambassadors, made specific mention of the M.Zuiko MC-20 teleconverter… and the possibility of achieving 2400 mm efov reach.

The question that begs to be asked is how realistic is it to use the MC-20 with the M.Zuiko 150-600 mm, especially when that lens is fully extended? And… is this possible to do that handheld? This article shares my observations using this combination. It is not intended to represent a definitive assessment… only my first hand experience.

NOTE: Click on images to enlarge.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 686 mm, efov 1372 mm, f/12, 1/1600, ISO-1600, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 31.6 metres

All of the images featured in this article were captured handheld and are displayed as full frame captures without any cropping on the width.  Two of the images were cropped slightly on the height only. Recognizing that many folks are trying to get additional pixels on a subject when they use teleconverters, I thought it was important to display only uncropped images (on the width) in this article.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 505 mm, efov 1010 mm, f/11, 1/2000, ISO-1600, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 29.2 metres

It is also important to remind ourselves that a number of factors come into play when using teleconverters. These include the sharpness and optical qualities of the original lens, the sharpness and optical qualities of the teleconverter, atmospheric conditions, and the skill of the photographer.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 629 mm, efov 1258 mm, f/12, 1/2000, ISO-2500, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 43.3 metres

Some folks might assume that one of the primary uses of the M.Zuiko MC-20 with the M.Zuiko 150-600 would be to capture distant birds-in-flight. In my experience this is an impractical attempted use of the MC-20 for three main reasons.

One… I observed a noticeable slowdown of Continuous Auto-Focus speed when the 150-600 is fully extended. Two… the angle of view is so narrow that it is extremely difficult to pan with a distant bird-in-flight.  And finally, the distance to subject is likely so far that atmospheric conditions could result in unusable images.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 600 mm, efov 1200 mm, f/12, 1/2000, ISO-2000, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture cropped slightly on the height, subject distance 45.7 metres

Would I ever entertain using the MC-20 with the 150-600 to photograph birds-in-flight? Nope. In my experience, all of the success I had with this combination photographing birds-in-flight ended up being at focal lengths that I could have pretty much achieved with the 150-600’s native focal length range… without a 2 EV loss of light. In short, adding the MC-20 to my set-up specifically for birds-in-flight would not add any value.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 482 mm, efov 964 mm, f/11, 1/2000, ISO-1250, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 31.8 metres

Are there potential benefits using this combination? Yup. My subjective assessment is that the M.Zuiko 150-600 is much sharper than the M.Zuiko 100-400 and delivers better colour rendition. As such it delivers better quality images when the MC-20 is used with it. I seldom use the MC-20 with my M.Zuiko 100-400 as I find the handling is somewhat difficult in terms of finding a bird-in-flight in my viewfinder as the zoom ring is on the slower side.

The image quality of the MC-20 is extremely good when it is mounted with the M.Zuiko PRO 40-150 f/2.8, and there is almost no loss of C-AF speed. Based on my experience… I can’t say the same things when it is used with the M.Zuiko 100-400.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/2500, ISO-4000, Pro Capture H, full frame capture, subject distance 26.5 metres

Photographers would need to make their own determination whether they wanted to use the MC-20, or crop their images. In specific situations the M.Zuiko MC-20 can come in handy. For example, when dealing with skittish birds it may be possible to fill the frame with a subject bird through the use of the MC-20 and not risk flushing a bird out by getting too close.

Depending on our photographic style, it may be important to get as many pixels on the head of a bird as possible when creating portraiture type images. Using the M.Zuiko 150-600 with the MC-20 may be an ideal combination. A few samples of this approach are below.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/1600, ISO-1250, full frame capture, subject distance 7.6 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 551 mm, efov 1102 mm, f/12, 1/1600, ISO-1600, full frame capture, subject distance 5.5 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 300 mm, efov 600 mm, f/10, 1/320, ISO-640, full frame capture, subject distance 1.8 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/2000, ISO-5000, full frame capture, subject distance 15.8 metres
OM-D e-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, -0.7 EV, 1/640, ISO-640, full frame capture, subject distance 13.3 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/1600, ISO-1250, full frame capture, subject distance 7.6 metres

The Sync-IS works very effectively, although it is important to remember that using the MC-20 comes at a cost of 2 EV stops. I was able to get useable images at 1/250 and a few at 1/125.

OM-D e-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, -0.3 EV, 1/250, ISO-400, full frame capture, subject distance 26.4 metres

For me, given subject movement a realistic bottom end shutter speed when fully extended to 600 mm, and using the MC-20 with wild water birds, is likely 1/320.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1000 mm, efov 2000 mm, f/13, 1/2000, ISO-2000, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 31.6 metres

Being able to fill the frame with a subject bird is something that many photographers may choose to do, rather than cropping. Having the MC-20 mounted with the 150-600 can accomplish that… but it comes with the risk of missing other opportunities. My field test was designed to force me to use the MC-20 to demonstrate how it performs with the M.Zuiko 150-600. That combination led to me missing numerous other opportunities as I had far too much focal length available.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, -0.7 EV, 1/2000, ISO-4000, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 23.1 metres

Using the MC-20 with the M.Zuiko 150-600 is a far cry from using it on a smaller, lighter lens like the M.Zuiko PRO 40-150 f/2.8. With that shorter focal length lens a photographer can put in on/remove it fairly quickly. The size and weight of the 150-600 makes it much more difficult and time consuming to use/remove a teleconverter.

As noted earlier, using the MC-20 comes down to personal choice. While I would not personally use the M.Zuiko MC-20 with the 150-600 for birds-in-flight, there are situations that I would use the MC-20 to capture behaviours that are exhibited from more stationary positions.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/2000, ISO-4000, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture, subject distance 30.7 metres

These would include birds flapping their wings while floating in the water, or interactions/fights between birds that are basically in the same proximate area. The two mallards fighting in the image below is a good example.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-20 teleconverter @ 1200 mm, efov 2400 mm, f/13, 1/2500, ISO-3200, Pro Capture L, Bird Detection AI Subject Tracking, full frame capture with some cropping on the height only, subject distance 40.9 metres

These two birds kept fighting on and off for about 20 minutes. They were well away from the shoreline at 40.9 metres (~134 feet) away. This made using the MC-20 with the M.Zuiko 150-600 fully extended to 600 mm for an efov of 2400 mm, ideal to capture the action, and fill the frame.

This combination can also be very effective with distant perched/stationary birds, or when portraiture style images are desired.

I suppose the fundamental question is, “Do I intend to include the MC-20 as a regular component in my bird photography kit?” No, I don’t think it would make sense for me. But, I would take it with me when photographing bees, wasps, butterflies and dragonflies with the M.Zuiko 150-600 mm f/5-6.3 IS… as I would be photographing subjects in a more contained area. And, usually under very good light.

Ultimately I think touting the use of the MC-20 with the M.Zuiko 150-600 mm f/5-6.3 IS to achieve an equivalent field-of-view of 2400 mm is a bit more hype than a practical reality. At least for bird photography the way that I approach it.

Technical Note

Photographs were captured handheld with the equipment noted in the EXIF data. All images were created from RAW files using my standard process. This is the 1,366 article published on this website since its original inception in 2015.

How you can help keep this site advertising free

My intent is to keep this photography blog advertising free. If you enjoyed this article and/or my website and would like to support my work, you can purchase an eBook, or make a donation through PayPal. Both are most appreciated.

Sometimes all we need as photographers is a bit of inspiration. We hope you can find some of that inside Finding Visual Expression II.

Finding Visual Expression II is available for download for an investment of $11.99 CDN. The best viewing experience of this eBook will be at 100% using Adobe Acrobat Reader.

You may be interested in all of the 30 concepts covered in both of these related eBooks. If so, you may want to also consider Finding Visual Expression.

Finding Visual Expression is available for download for an investment of $11.99 Cdn. The best viewing experience of this eBook will be at 100% using Adobe Acrobat Reader.

Our other eBooks include Images of Ireland, New Zealand Tip-to-Tip, Nikon 1: The Little Camera That Could, Desert & Mountain Memories, Images of Greece, Nova Scotia Photography Tour, and a business leadership parable… Balancing Eggs.

If you click on the Donate button below you will find that there are three donation options: $7.50, $10.00 and $20.00. All are in Canadian funds. Plus, you can choose a different amount if you want. You can also increase your donation amount to help offset our costs associated with accepting your donation through PayPal. An ongoing, monthly contribution to support our work can also be done through the PayPal Donate button below.

You can make your donation through your PayPal account, or by using a number of credit card options.



Word of mouth is the best form of endorsement. If you like our website please let your friends and associates know about our work. Linking to this site or to specific articles is allowed with proper acknowledgement. Reproducing articles, or any of the images contained in them, on another website or in any social media posting is a Copyright infringement.

Article and images are Copyright 2024 Thomas Stirr. All rights reserved. No use, duplication or adaptation of any kind is allowed without written consent. If you see this article reproduced anywhere else it is an unauthorized and illegal use. Posting comments on offending websites and calling out individuals who steal intellectual property is always appreciated!

6 thoughts on “M.Zuiko 150-600 with MC-20”

  1. Your images are surprisingly sharp for f/13 on a micro 4/3 sensor. I look forward to seeing your results with the MC-14.

    1. Hi Steve,

      I haven’t been able to make the time to get out with the 150-600 using the MC-14. Hopefully that will happen over the next week or so. I’m also very much looking forward to the field testing to see how the combination performs.

      Tom

  2. Thank you as always your reviews are honest fully explained with context and images. It’s hard sometimes to cut through Ambassadors hipe to understand whether a new lens will fit for my photography. Can be a costly mistake. As an OMD shooter I trust your reviews. 📸👏👏

    1. Hi Heather,

      Thank you for your supportive comment… much appreciated!

      I think the M.Zuiko 150-600 is an outstanding lens that adds a lot of potential to my photography. While using the MC-20 with it does not make a lot of sense for me personally, the MC-20 may provide some advantages with other subject matter like insects as I noted in this article. More field work on my part is required.

      The quality of the images that I was able to capture with the MC-20 were actually surprisingly good. I think this speaks volumes about the sharpness and optical quality of the M.Zuiko 150-600.

      Tom

  3. Thank you for your series of articles on the “big” lens. As usual, very good discussion. You give your readers personal, realistic appraisals. I have both the 100-400mm and 40-150mm f2.8 lens plus MC 1.4 and 2x teleconverters. For my style of photography, I just can’t justify the cost of the 150-600. It looks like a fine lens though. The 40-150 f2.8 is one of my favorites lens. I use it much more than the 100-400. It is so sharp even wide open. I also use it with both teleconverters for wildlife and close-in shots. Thanks again.

    1. Hi Robert,

      The PRO 40-150 mm f/2.8 is my favourite lens. As you noted it is very sharp and is so flexible. I also use mine with teleconverters and also extension tubes (sometimes both).

      Tom

Leave a Reply

Your email address will not be published. Required fields are marked *