Must Have Myths

The internet is full of must have myths, and this is particularly true when it comes to photography gear and related equipment. I can’t speak for other folks, but some of the worst photographic purchases I’ve made were based on must have recommendations that I got from other people. Of course the ultimate blame for those purchase errors lies with me… for having followed ill-advised suggestions.

NOTE: Click on images to enlarge. Photographs have been added to serve as visual breaks. All images were captured handheld by my wife during our most recent trip to New Zealand in the late fall of 2024.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 150 mm, efov 300 mm, f/8, 1/800, ISO-800

Many of us are asked by other photographers what they should buy in terms of cameras and/or lenses. When asked, we often give them our opinions and recommendations.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 15 mm, efov 30 mm, f/5.6, 1/60, ISO-5000

Although our intentions may be positive, we may be inadvertently pointing others towards making a potentially costly mistake.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/8, 1/800, ISO-6400

Our opinions and recommendations are shaped by our own experiences and preferences. None of which may be relevant to the person who is asking for the purchase recommendation.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/8, 1/640, ISO-500

One of the biggest must have myths that has been around the photography business for well over a decade is that we must have full frame camera equipment.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/5.6, 1/60, ISO-1250

Some camera revue sites spew this kind of nonsense frequently. It is certainly true that depending on our actual photographic/video needs, buying full frame gear could be an optimal choice.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 135 mm, efov 270 mm, f/8, 1/800, ISO-400

For many of us… this suggestion might as well have fallen out of the back end of a bovine. On the advice of others, I fell into the full frame trap many years ago. Fortunately I learned my lesson early and sold all of that gear without incurring a large financial loss.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/8, 1/40, ISO-200

For my specific needs using full frame gear turned out to be costly and very inefficient. This was especially true when doing safety video work for my clients. It necessitated dragging around a half dozen studio lights in industrial locations, and spending far too much time setting up individual video clips.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/8, 1/640, ISO-320

Then I’d have to move all of my lights and rerun my power cords for the next video clip or two. In business, time is money… for both a supplier and their client. I stumbled on a wonderful solution. One that I can guarantee you was not recommended by anyone that I knew. I started doing all of my client video work with the Nikon 1 system.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 20 mm, efov 40 mm, f/8, 1/5, ISO-200, handheld Live ND

Due to the 2.7X crop factor, I discovered that I could get the depth-of-field I needed by shooting at f/2.8… rather than at f/8 with my full frame equipment. I could keep my maximum ISO value to ISO-800 as I had with my full frame gear… but I no longer had to bring any studio lights with me. This was a huge time saver.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 14 mm, efov 28 mm, f/8, 1/800, ISO-640

My clients still loved the projects I did for them in terms of quality. Plus, I could save them some money as my on-site shooting time was reduced by at least 30%.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 34 mm, efov 68 mm, f/8, 1/800, ISO-160

Am I suggesting that everyone should shoot with smaller sensor cameras? Absolutely not! Using full frame and larger format gear may be the best choice for a lot of photographers.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 150 mm, efov 300 mm, f/8, 1/800, ISO-500

What I am suggesting is that we should all be aware of the must have myths that are so rampant in the photography world. To avoid expensive mistakes we need to do our best not to fall prey to these ‘must haves’ regardless of what they may be.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 22 mm, efov 44 mm, f/8, 1/640, ISO-200

The best way of doing that is not to blindly follow the crowd. Or, to take someone else’s suggestion as gospel. We need to take everything with a grain of salt. The only must have is that each of us do the work required to really understand our needs. Then develop a well thought out list of our photographic priorities, against which we can assess various camera equipment options.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 80 mm, efov 160 mm, f/5.6, 1/60, ISO-4000

If we fail to properly access our photographic priorities and needs, our purchase decision can become clouded by a jumbled mess of competing specifications, claims and opinions. Many of which may be completely irrelevant to our actual needs.

OM-D E-M1 Mark III + M.Zuiko 14-150 mm f/4-5.6 II @ 150 mm, efov 300 mm, f/5.6, 1/60, ISO-200

Photography can be a wonderfully vibrant and creative endeavor. There are so many excellent choices in the market place today that each of us can find the ideal camera equipment for our needs. All we need do is ignore must have myths and focus on our photographic priorities and our actual needs.

Technical Note

Photographs were captured handheld using camera equipment  noted in the EXIF data. All images were created from RAW files using my standard process in post. This is the 1,440 article published on this website since its original inception in 2015.

How you can keep this website advertising free

My intent is to keep this photography blog advertising free. If you enjoyed this article and/or my website and would like to support my work, you can purchase an eBook, or make a donation through PayPal (see Donate box below). Both are most appreciated. Sometimes all we need as photographers is a bit of inspiration. We hope you can find some of that inside Finding Visual Expression II.

Finding Visual Expression II is available for download for an investment of $11.99 CDN. The best viewing experience of this eBook will be at 100% using Adobe Acrobat Reader.

You may be interested in all of the 30 concepts covered in both of these related eBooks. If so, you may want to also consider Finding Visual Expression.

Finding Visual Expression is available for download for an investment of $11.99 Cdn. The best viewing experience of this eBook will be at 100% using Adobe Acrobat Reader.

Our other eBooks include Images of Ireland, New Zealand Tip-to-Tip, Nikon 1: The Little Camera That Could, Desert & Mountain Memories, Images of Greece, Nova Scotia Photography Tour, and a business leadership parable… Balancing Eggs.

If you click on the Donate button below you will find that there are three donation options: $7.50, $10.00 and $20.00. All are in Canadian funds. Plus, you can choose a different amount if you want. You can also increase your donation amount to help offset our costs associated with accepting your donation through PayPal. An ongoing, monthly contribution to support our work can also be done through the PayPal Donate button below.

You can make your donation through your PayPal account, or by using a number of credit card options.



Word of mouth is the best form of endorsement. If you like our website please let your friends and associates know about our work. Linking to this site or to specific articles is allowed with proper acknowledgement. Reproducing articles, or any of the images contained in them, on another website or in any social media posting is a Copyright infringement.

Article is Copyright 2025 Thomas Stirr. Images are Copyright 2024 Rosemary Stirr. All rights reserved. No use, duplication or adaptation of any kind is allowed without written consent. If you see this article reproduced anywhere else it is an unauthorized and illegal use. Posting comments on offending websites and calling out individuals who steal intellectual property is always appreciated!

6 thoughts on “Must Have Myths”

  1. My Olympus MFT gear has produced more published photos than I can remember. Since I gave up on film over 20 years ago I haven’t shot any full frame gear. If full frame is so much better than MFT then medium format must be even better than full frame, but we see no rush for full frame users to make that switch.

  2. Totally agreed but…

    where was this article when I needed it – before I wasted thousands of dollars! 🙂

    Jon

  3. Hi Thomas it’s me again!
    I used to shoot weddings as a weekend warrior (hate that name) I trained properly with another wedding photographer as his assistant for three years.
    The full frame myth was in full swing then, Canon EOS 5D MK2/MK3/MK4 I was owner of each of these in succession.
    Beautiful cameras and expensive lenses the big white 70-20 f2.8 was £1600 ten years ago I had in my kit 7k worth of canon equipment, advised to get ‘full frame’ by many wedding togs. I watched a fantastic video by Zak Arias all about the full frame myth, I will find it on you tube.
    I chose Olympus purely on the basis that I shot Olympus when I was 11 years old and loved my Olympus trip 35!
    I have never been advised to get this equipment but hilarious comment at a motorsports event I was shooting last year. A chap next to me told me that ‘full frame was the only way ‘ and you will ‘never get good photos with that camera’. I sold 15 of my images to a team called Honda they appeared in a magazine. They used them for a while around the world so M43 wins every time for me now!
    Sorry for the wordy post!

Leave a Reply

Your email address will not be published. Required fields are marked *