This article provides a summary of a number of points made in earlier articles and provides an overall M.Zuiko 75-300 assessment. Since some folks seem to focus on what this lens isn’t, I might as well state that right up front. This lens isn’t weatherproof and it isn’t designated as a pro lens. What this lens is in spades… is small, lightweight, cost efficient, and a whole lotta fun to use!
This article features some photographs captured with the M.Zuiko 75-300 f/4.8-6.7 II with a Kenko 16 mm M4/3 extension tube. It is getting late in our season to photograph insects and flowers, but I thought this would be an interesting final field test of the M.Zuiko 75-300 mm f/4.8-6.7 II telephoto zoom lens. Given the risks, I have not used my camera gear in any indoor, public venues since February.
This article features a number of M.Zuiko 75-300 severe crop images of a sparrow in flight. Photographs were cropped to between 2000 and 2660 pixels on the width. This degree of cropping results in photographs that only utilize between 14.9% and 26.5% of the total number of available pixels on the sensor of my Olympus OM-D E-M1X (i.e. 5184 x 3888) being used for the subject bird.
This article features an M.Zuiko 75-300 II Pro Capture H image run of a sparrow taking flight. This sequence was shot with the M.Zuiko 75-300 mm f/4.8-6.7 II wide open at f/6.7, and with the lens fully extended to 300 mm (efov 600 mm). A shutter speed of 1/2500 was used, along with ISO-1600 (Auto-ISO setting used). Exposure compensation was set to -0.7 step. I was situated 4.3 metres (~14 feet) away from the subject bird.
This article features a selection of M.Zuiko 75-300 heron images. All were recently captured handheld during a visit to Hendrie Valley. Many photographs are displayed as full frame captures, while others have been cropped. The degree of cropping done is detailed in the EXIF data where appropriate.
This article shares a selection of M.Zuiko 75-300 osprey images. All were captured handheld during a recent visit to Hendrie Valley.
Sometimes when a person doesn’t get much sleep they have been known to do the occasional odd thing… like trying to photograph a heron before sunrise. This article features a couple of handheld images which are firmly in the experimental category.
This article features a selection of ‘bird in the hand’ images captured during a recent visit to Hendrie Valley. All of these photographs were taken using the Olympus Pro Capture H mode with an OM-D E-M1X.
It’s been about 2 weeks since I began experimenting with integrating Topaz AI into my post processing workflow. During this period I’ve had a number of personal emails from readers asking if I’ve decided to keep using DxO PRIME or switch to Topaz Denoise AI. Most also wanted to know if I would be using Topaz Sharpen AI on a regular basis. I’ve finally reached a decision.