There’s a well-used saying that “Old Habits Die Hard” which is applicable to various areas of our lives including photography. Humans tend to be creatures of habit. We can sometimes find ourselves falling into patterns of behaviour (including some that are counterproductive) without being aware of our habitual actions. The first step in changing old photographic habits is to become aware of them.
This article shares an assortment of handheld photographs of a cooperative green heron, captured during a recent visit to Hendrie Valley.
This article shares some of my favourite Pro Capture images that were created using an E-M1X, M.Zuiko telephoto lenses, and M.Zuiko teleconverters. All were captured handheld. Without question the more that I have used Pro Capture, the more indispensable it has become to my bird and insect photography.
This article shares a small selection of handheld in-camera focus stacked dragonfly images that were captured at the Royal Botanical Gardens in Burlington Ontario. These photographs fall under the ‘push my gear and see what happens’ category. All were captured using an E-M1X, M.Zuiko 100-400 mm f/5-6.3 IS zoom lens, and M.Zuiko MC-20 teleconverter. This set-up was shot fully extended which creates an equivalent field-of-view of 1600 mm. All of the photographs in this article were created during the same photo session as described in my previous article.
This article discusses photographing dragonflies handheld at 1600 mm equivalent field-of-view, and shares a selection of new images. All photographs were captured using an E-M1X, M.Zuiko 100-400 mm f/5-6.3 IS and M.Zuiko MC-20 teleconverter. All images were created with my lens fully extended and fitted with the M.Zuiko MC-20 teleconverter. This produces a focal length of 800 mm (efov 1600 mm).
This article features a selection of photographs that illustrate M.Zuiko 100-400 mm handheld focus stacking capability with the OM-D E-M1X and the M.Zuiko MC-14 teleconverter.
After viewing Peter Baumgartner’s presentation during World Photography Day I was inspired to try out my E-M1X’s focus stacking technology again. It has been well over a year since I last used this feature.
This article discusses some basic techniques that can be used to achieve shallow DOF (depth-of-field) with M4/3 equipment. There is quite a bit of assumptive thinking on the internet, as well as people regurgitating things they have read about shallow DOF with M4/3.
It is absolutely possible, and actually very easy, to achieve shallow depth-of-field with M4/3 camera gear. People who state that shallow depth-of-field is “impossible” with M4/3 equipment are simply misinformed.
This article features five M.Zuiko 100-400 mm HHHR test images captured at the Royal Botanical Gardens, along with 100% crops of each. As regular readers know I enjoy pushing myself and my camera gear with various challenges, just to see what will result. On a personal basis I don’t spend any time pixel peeping my images… but I do appreciate that some readers would like to see some 100% crops periodically so I included them in this article.
This article features a selection of photographs of wasps in-flight at 1600 mm efov, captured handheld at Grimsby Wetlands. As regular readers know, from time to time I like to give myself a specific challenge… and push my camera gear… just to see what will happen.
This article provides some simple techniques on photographing landscapes using f/2.8 with a wide angle constant aperture zoom lens.
We can risk some image softness from diffraction when we stop our lens down further than is needed to achieve deep depth-of-field. Diffraction is not only a potential issue when using smaller sensor cameras like M4/3, but also with high density full frame sensors.