This article shares some thoughts on noise reduction considerations that many of us face when deciding on our approach in post processing. There certainly has been a lot of buzz lately with new software like Topaz Denoise AI and DxO PhotoLab 4 with its DeepPRIME function, coming to market.
I recently spent some time revisiting some of my Nikon 1 V2 butterfly images, and reprocessing them in post. Since I made some changes to my approach to post processing by adding Topaz Denoise AI, I thought it would be interesting to re-do some old RAW files from 2015. All of the photographs in this article were captured handheld with a Nikon 1 V2, fitted with a 1 Nikon 30-110 mm f/3.8-5.6 zoom, and using MOVO extension tubes.
This article illustrates the results of using Topaz Denoise AI with TG-5 photographs. All images were captured handheld at the Niagara Butterfly Conservatory. Most were shot using the Microscopic Mode of the Olympus TG-5.
This article features a selection of hawk image rescue attempts that I did in post processing this morning. As regular readers will know I recently added Topaz Denoise AI to my standard post processing approach.
It’s been about 2 weeks since I began experimenting with integrating Topaz AI into my post processing workflow. During this period I’ve had a number of personal emails from readers asking if I’ve decided to keep using DxO PRIME or switch to Topaz Denoise AI. Most also wanted to know if I would be using Topaz Sharpen AI on a regular basis. I’ve finally reached a decision.