When travelling we can sometimes find inspiration in everyday life… like these tabletops and chairs that I photographed while in Italy a few years ago. There are numerous visual factors that can catch our eye when we’re out walking with a camera in hand. It could be splashes of colour. A flow of geometric shapes. Or something that compels us with its simplicity.
Category Archives: Articles by Sensor Size
Cropping with HHHR
The main objective of this article is to share some examples of cropping with HHHR technology, specifically with macro type photography. Additionally, a couple of links to earlier articles that outline some of the benefits of Handheld Hi Res (HHHR) technology are also provided. These two earlier articles covered how HHHR increases dynamic range, and how HHHR does a very good job reducing noise when higher ISO values are used.
MC-20 Hi Res Test
The article features some M.Zuiko MC-20 Hi Res test images of frogs, captured handheld during a recent visit to the Royal Botanical Gardens. These test photographs were created using an E-M1X with an M.Zuiko PRO 40-150 mm f/2.8 zoom lens.
HHFS Frog Images
This article features a selection of handheld focus stacked HHFS frog images that were captured at the Royal Botanical Gardens using an M.Zuiko 60 mm f/2.8 macro lens. As noted in a previous article, my E-M1X was set to 10 focus stacked frames with a focus differential of 4.
Slow Shutter HHFS
This article discusses using slow shutter speeds with handheld focus stacking (HHFS), and shares some new macro snake images captured with shutter speeds from 1/20 to 1/4 of a second.
Yesterday I visited a special frog display at the Royal Botanical Gardens… which also happened to have a trio of water snakes in one of the exhibits. The event gave me the opportunity to get some practice time in doing handheld in-camera macro focus stacking. Continue reading Slow Shutter HHFS
Specs Aren’t Everything
As photographers it is good for us to remember that specs aren’t everything when it comes to buying and effectively using camera gear. Like other folks I’ve learned some lessons the hard way. Fortunately those lessons didn’t cost me a huge amount of money. It is critical that each of us buy and use whatever format and brand of camera gear best meets our individual needs.
Bird Photography with 75-300
This weekend I went out to LaSalle Park and captured some bird photography with the M.Zuiko 75-300 mm f/4.8-6.7 II zoom lens. I appreciate that some readers would like to see more samples of bird photography captured with affordable gear like the M.Zuiko 75-300 mm f/4.8-6.7 II zoom lens… so I made some time to do so on Saturday.
The weather was grey, dull and overcast. Far from the kind of conditions that I would typically favour… but ideal to do some camera and lens testing! So, I grabbed my wife’s E-M1 Mark III fitted it with the M.Zuiko 75-300 mm zoom… then headed off to LaSalle Park.
Handheld Macro
This article discusses handheld macro photography and why I prefer using my Olympus E-M1X and M.Zuiko 60 mm macro lens over the full frame gear I owned in the past.
As regular readers know, I very much dislike using a tripod and only do so when it’s absolutely necessary. In the past when I tried to create handheld macro images with my full frame equipment I would very seldom get any useable images. I simply could not hold my full frame equipment steady enough. It was an exercise in frustration. My full frame gear always seemed to get in the way of my creativity.
BIF Boredom
Regardless of how much we may enjoy photographing birds-in-flight there is a risk that BIF boredom can set in from time to time. On a personal basis I find this risk most often surfaces during late fall/early winter and during the hottest summer months. During these time periods we are in-between major bird migration movements. As a result the overall variety and number of birds can be reduced. The local species that remain may seem uninteresting to us from a photographic perspective.
Completing the Vision
As photographers we understand that completing the vision involves doing some work with our images in post processing. Each of us has our own skill level and approach when it comes to post processing, as well as our preferred software programs. We have a very specific vision in our minds for how we want our finished photograph to appear and often capture an image as an interim step towards that vision.