Importance of Frame Rate

This article discusses the importance of frame rate, specifically when photographing perched birds and insects taking flight. As photographers each of us has our own approach on how we use our camera gear. I appreciate that many people use continuous auto-focus for the bulk of their photography that involves wildlife subjects in motion.

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OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 342 mm, efov 684 mm, f/6.3, 1/2000, ISO-500, Pro Capture L, Bird Detection AI, cropped to 4402 pixels on the width, subject distance 128 metres

I use continuous auto-focus when photographing birds that are already in motion, like the swans in the above image.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 358 mm, efov 716 mm, f/6, 1/2000, ISO-400, Pro Capture L, Bird Detection AI, cropped to 3654 pixels on the width, subject distance 21.4 metres

Or… when capturing photographs of birds that are already in free flight.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 528, efov 1056 mm, f/8.6, 1/2000, ISO-800, Pro Capture L, Bird Detection AI Subject Tracking, cropped to 2916 pixels on the width, subject distance 30.2 metres

Or… when capturing images of hard to predict, spontaneous interactions between subjects.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/5000, ISO-2500, Pro Capture H, cropped to 3122 pixels on the width, subject distance 16.9 metres

When it comes to perched birds or insects that can be realistically expected to take flight, my ‘go to’ approach is to use the fastest frame rate my camera provides.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 449 mm, efov 898 mm, f/6.3, 1/2500, ISO-1600, Pro Capture H, cropped to 2788 pixels on the width, subject distance 11.4 metres

For my E-M1X, this is Pro Capture H with a frame rate of 60 frames-per-second. If I owned an OM-1 or OM-1 Mark II, I’m sure I’d be routinely using a frame rate of 120 frames-per-second with those cameras, rather than using continuous auto-focus in specific situations.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 358 mm, efov 716 mm, f/6.3, -0.3 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3056 pixels on the width, distance to subject 2.4 metres

The reason for that is very simple. For my style of photography, a faster frame rate is far more important to me than using continuous auto-focus. Specifically in situations when my subject is taking flight. It is a simple matter of mathematics and putting the odds in my favour. More on that a bit later.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 210 mm, efov 420 mm, f/8.1, 1/2500, ISO-6400, Pro Capture H, subject distance 7 metres

Experience has taught me, that as long as my shutter release timing is appropriate for the subject bird, it typically doesn’t move fast enough, or far enough, to fly out-of-focus when I use Pro Capture H at 60 frames-per-second.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 560 mm, efov 1120 mm, f/9, 1/5000, ISO-6400, Pro Capture H, cropped to 3692 pixels on the width, subject distance 4.1 metres

My Pre-Shutter Frames and Frame Limiter are both set to 15. This gives me a shutter release response time of 1/4 second. This works well for me.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 280 mm, efov 560 mm, f/8.6, 1/2500, ISO-3200, Pro Capture H, full frame capture, subject distance 6.5 metres

Since the maximum frame rate of my E-M1X is 18 frames-per-second when using continuous auto-focus, I can capture 3.33 times the number of action images when I shoot in Pro Capture H at 60 frames-per-second. That dramatically increases my odds of getting some useable images.

OM-D E-M1 Mark III + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, f/6.7, 1/5000, ISO-800, Pro Capture H, cropped to 2677 pixels on the width, subject distance 5.7 metres

With Pro Capture H in my E-M1X, the first frame locks focus and exposure for the rest of the images that follow. So… there is some risk that the subject may move out-of-focus by flying at an angle to my shooting position, and venturing outside of the depth-of-field locked in by my first frame.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/3200, ISO-2500, Pro Capture H, cropped to 2901 pixels on the width, subject distance 17.4 metres

From my perspective that is a very small risk when compared to the reward of capturing 3.33 times more action photographs per image run.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 373 mm, efov 746 mm, f/6.3, 1/2500, ISO-640, cropped to 3024 pixels on the width, Pro Capture H, subject distance 7.4 metres

Many of my all-time favourite images of birds-in-flight, and insects in flight, were captured using Pro Capture H at 60 frames-per-second… and not using continuous auto-focus.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 560 mm, efov 1120 mm, f/9, 1/5000, ISO-6400, Pro Capture H, cropped to 3858 pixels on the width, subject distance 3 metres

Some of these photographic opportunities have only happened a few times in my life thus far. I certainly want the odds in my favour whenever possible!

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 @ 200 mm, efov 400 mm, f/6.3, 1/1600, ISO-6400, Pro Capture H, full frame capture, subject distance 14.2 metres

Using faster frame rates is all about increasing the odds of getting some unique body and wing positions with birds taking flight.

OM-D E-M1X + M.Zuiko PRO 40-150 mm @ 150 mm, efov 300 mm, f/8, -0.7 EV, 1/2500, ISO-5000, Pro Capture H, cropped to 2102 pixels on the width, subject distance 810 mm

Or reliably capturing insects going about their business in their environment.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with MC-14 teleconverter @ 261 mm, efov 522 mm, f/8.4, 1/2500, ISO-3200, Pro Capture H, cropped to 3815 pixels on the width, subject distance 6 metres

Fast frame rates also are beneficial when trying to photograph mating behaviours of small, quick birds like swallows.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/2500, ISO-5000, Pro Capture H, cropped to 2773 pixels on the width, subject distance 6.8 metres

Using a fast frame rate can make the difference between capturing a beautiful wing spread of a butterfly… or missing the shot altogether.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro and M.Zuiko MC-20 teleconverter @ 180 mm, efov 360 mm, f/13, -0.3 EV, 1/2500, ISO-2500, cropped to 2636 pixels on the width, Pro Capture H, subject distance 1 metre

Or catching a fly in flight with a macro set-up.

Using a single, small auto-focus point to photograph a green heron obscured by some tree branches is sometimes our best option.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 600 mm, efov 1200 mm, f/6.3, 1/2500, ISO-1250, full frame capture, Pro Capture H, subject distance 30.3 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 600 mm, efov 1200 mm, f/6.3, 1/2500, ISO-1250, full frame capture, Pro Capture H, subject distance 30.3 metres

A fast frame rate enables us to capture a good series of incremental action images… even with a bird that was obscured at the start of the image run.

Olympus OM-D E-M1X + M.Zuiko PRO 40-150 mm f/2.8 plus M.Zuiko MC-20 teleconverter @ 104 mm, efov 208 mm, f/5.6, 1/2500, ISO-6400, Pro Capture H mode, subject distance 3.6 metres

Faster frame rates create a broader selection of images from which to choose, and enables us to capture precise moments easily and effectively.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 560 mm, efov 1120 mm, f/9, 1/2500, ISO-2000, Pro Capture H mode, subject distance 24.8 metres

The image above is one of my all-time favourite bird photographs. I had watched this bird dive a few consecutive times for food. I sensed that it would repeat that behaviour the next time it surfaced. By using a frame rate of 60 frames-per-second I was confident that I could capture the very precise moment illustrated in this image.

It can be easy to fall into habitual use of our camera gear… like always using continuous auto focus to photograph birds taking flight… and not giving our frame rate that much thought. This often leads to us using less than optimal frame rates.

The following eight consecutive images were shot handheld through my kitchen window two days ago. All of these eight consecutive images were captured in a total of about 1/8 of a second.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3502 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3896 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3606 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3537 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 4166 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3596 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3276 pixels on the width, subject distance 7.1 metres
OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 300 mm, efov 600 mm, f/6/3, -0.7 EV, 1/2500, ISO-1250, Pro Capture H, cropped to 3429 pixels on the width, subject distance 7.1 metres

You can see from the EXIF data that I used Pro Capture H. As noted earlier, this locks focus and exposure based on the first frame of an image run.

If I would have used continuous auto-focus to capture this bird action with Pro Capture L, I would have been limited to 18 frames-per-second. That means that I would have only captured 30% of the 8 consecutive images you just viewed (i.e. 18/60 = 0.3).

So, using a frame rate of 18 frames-per-second would have allowed me to capture only 2 images… or perhaps 3 if I was incredibly lucky. Which 5 or 6 of the above photographs would I have missed from the image run above? I have no idea.

It is likely that I would have captured two completely different images. Whether they would have been useable or not is a question that can’t be answered.

What I do know, is that using a fast frame rate of 60 frames-per-second rather than 18 frames-per-second with continuous auto-focus… increased my odds of success by 333%. I’ll take those odds any chance I can.

Some of you reading this article may own an OM-1 or OM-1 Mark II. And, you may happen to own a lens that is compatible with their 50 frame-per-second continuous auto-focusing capability. You may be thinking… “Well, I’m already shooting at 50 frames-per-second rather than 60 frames-per-second. That’s no big deal.” That’s not really the point.

The point is that you could be shooting at 120 frames-per-second rather than at 50 frames-per-second. When we consider specific photographic opportunities where locking focus and exposure can be done, you could increase your chances of success by 240%! (i.e. 120/50 = 2.4).

If you take some time to review the images in this article, you’ll find that only the first three were captured using continuous auto-focus. All of the rest were captured with my camera locking focus and exposure based on the first frame of an image run.

When photographic opportunities allow, let’s maximize the potential of our camera gear by using the fastest frame rates that our cameras can deliver.

Technical Note

Photographs were captured handheld using camera gear as noted in the EXIF data. All images were created from RAW files using my standard process in post. This is the 1,477 article published on this website since its original inception in 2015.

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2 thoughts on “Importance of Frame Rate”

  1. Great piece Tom
    The Em1x is a frame rate beast I have been using my 60mm macro and doing shots like you. I have had some excellent results this year. It’s funny how people actually are holding on to these cameras even if they upgrade, on a forum here in the UK some members have bought the latest model – after a few months they sell and stay with the EM1-X!

    Great photography Tom and an interesting piece

    1. Hi Mark,

      I was unaware of the UK forum you noted and some members staying with the E-M1X. I have noticed a few videos on YouTube the past year or so, extolling the virtues of the E-M1X… some even calling it the best M4/3 camera ever made. Since I’ve never used an OM-1 or OM-1 Mark II I would never comment on those cameras. I am aware of a number of folks who own them and love them.

      It really comes down to the needs of individual photographers. There isn’t a day that goes by that I’m not thankful that I had the foresight to buy a pair of E-M1X bodies.

      Tom

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