Buried in Branches

It can be difficult to photograph birds buried in branches, especially smaller subjects that don’t give us much of an auto-focus target.

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OM-D E-M1 Mark III + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, f/7.1, 1/2500, ISO-3200, Pro Capture H, cropped to 3089 pixels on the width, subject distance 14 metres

If we can develop an easy-to-use technique, not only can we photograph birds perched and buried in branches, but we can also capture them taking flight from obscured positions.

A good example is the Eastern Rosella in the next four frames.

OM-D E-M1X + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, 1/2500, f/6.7, ISO-2000, cropped to 3700 pixels on the width, Pro Capture H, subject distance 14.9 metres, GPS: S 37 32 44.7 E 175 55 12.2639

You can see the bird is visually obscured by some branches and buds. There was a small portion of the rosella’s flank that was exposed enough for me to place a single, small auto-focus point on it.

OM-D E-M1X + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, 1/2500, f/6.7, ISO-2000, cropped to 3702 pixels on the width, Pro Capture H, subject distance 14.9 metres, GPS: S 37 32 44.7 E 175 55 12.2639

The image above captures the rosella five frames later as it took flight from the obscured position.

OM-D E-M1X + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, 1/2500, f/6.7, ISO-2000, cropped to 3702 pixels on the width, Pro Capture H, subject distance 14.9 metres, GPS: S 37 32 44.7 E 175 55 12.2639

Then, six frames later the rosella is captured in mid-air as it is taking full flight.

OM-D E-M1X + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, 1/2500, f/6.7, ISO-2000, cropped to 3698 pixels on the width, Pro Capture H, subject distance 14.9 metres, GPS: S 37 32 44.7 E 175 55 12.2639

The photograph above is the last one in my fifteen frame Pro Capture H run, shot at 60 frames-per-second. My Pre-Shutter Frames and Frame Limiter were both set to 15. This gave me a 1/4 second of shutter release response time.

These Eastern Rosella images illustrate a very easy-to-use technique that can consistently produce interesting images of small birds taking flight from obscured positions.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 600 mm, efov 1200 mm, 1/2500, f/6.3, ISO-2000, cropped to 3108 pixels on the width, Pro Capture H, subject distance 14.4 metres

Obviously step 1 is to find a bird buried in branches.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 600 mm, efov 1200 mm, f/6.3, 1/2500, ISO-1000, cropped to 3019 pixels on the width, Pro Capture H, subject distance 26.4 metres

Step 2 is to place a single, small auto-focus point on any part of the bird’s body that is visible through the branches.

OM-D E-M1X + M.Zuiko 150-600 mm f/5-6.3 IS @ 600 mm, efov 1200 mm, f/6.3, 1/2500, ISO-800, cropped to 3182 pixels on the width, Pro Capture H, subject distance 15.5 metres

Step 3 is to anticipate the direction that the bird will move as it takes flight, or hops to another position. Birds will typically fly towards an open area, and they will signal that movement direction by where their beak is pointing.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 Teleconverter @ 359 mm, efov 718 mm, f/8.7, 1/3200, ISO-3200, cropped to 3803 pixels on the width, Pro Capture H, subject distance 6 metres

Step 4 is timing your shutter release to coincide with the action that you want to photograph. If your camera has Pro Capture H technology (or something similar in other brands of camera) you can spool images into temporary memory by half depressing your shutter release… then fully depress your shutter release when the bird has completed the action you wanted to capture.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 Teleconverter @ 560 mm, efov 1120 mm, f/9, 1/3200, ISO-2000, cropped to 3247 pixels on the width, Pro Capture H, subject distance 17.4 metres

When photographing birds buried in branches I always use single auto-focus… with one, small auto-focus point. I find this is much more reliable than using continuous auto-focus, and risking my camera inadvertently focusing on branches in front of the subject bird as it reacquires auto-focus between each frame.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS with M.Zuiko MC-14 teleconverter @ 560 mm, efov 1120 mm, f/9, 1/2500, ISO-1600, Pro Capture H, cropped to 2885 pixels on the width, subject distance 12 metres

Everyone has their preferred compositional approach. I like capturing birds buried in branches as it adds more environmental context and realism to my images.

OM-D E-M1X + M.Zuiko 100-400mm f/5-6.3 IS @ 400mm, f/6.3, 1/2500, ISO-1250, cropped to 3510 pixels on the width, Pro Capture H, subject distance 14.7 metres

I typically photograph birds buried in branches that are flitting or hopping between branches. Using a fast frame rate helps me capture at least some frames with unobstructed views of a subject bird’s head.

OM-D E-M1X + M.Zuiko 75-300mm f/4.8-6.7 II @ 300mm, f/6.7, 1/2500, ISO-640, Pro Capture H, cropped to 2761 pixels on the width, subject distance 9.1 metres

Even short distance hops can often yield very interesting body positions.

OM-D E-M1 Mark III + M.Zuiko 75-300 mm f/4.8-6.7 II @ 300 mm, efov 600 mm, f/6.7, 1/4000, ISO-6400, Pro Capture H, cropped to 3293 pixels on the width, subject distance 8.5 metres

Photographing small birds in amongst branches and twigs does complicate the image capture approach. And… that makes it more challenging and fun.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/2500, ISO-2500, Pro Capture H, cropped to 3337 pixels on the width, subject distance 9 metres

Often I have to slowly approach birds buried in branches, and position myself at the precise spot where I can shoot through all kinds of obstructions in the foreground in order to capture my images.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/2500, ISO-1250, Pro Capture H, cropped to 3677 pixels on the width, subject distance 7 metres

Compared to many other photographers I probably spend a lot more time standing in close to trees waiting for small birds to arrive, and provide me with interesting image opportunities. This technique can also be used to capture butterflies taking flight when perched in amongst branches, twigs and blossoms.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/2500, ISO-1600, Pro Capture H, cropped to 4303 pixels on the width, subject distance 4.9 metres

To me, a bird in the bush is worth two in the hand.

Technical Note

Photographs were captured handheld using camera gear as noted in the EXIF data. All images were created from RAW files using my standard process in post. This is the 1,506 article published on this website since its original inception in 2015.

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10 thoughts on “Buried in Branches”

  1. Very wonderful article as I would have never thought of using ProCapture in this fashion but I will try it as I live in Maine and I have a lot of branches in the way! I have a Om-1MKII with the 100-400mm II lens and have trouble using single point AF so I use the small area. Between reading this article and your newest e-book on hand-held bird photography (I am 1/2 way through it), I am tempted to get the 150-600 as I would like to have a bit more reach at times but I worry about the weight but is seems like you don’t think it is a problem. I will rent it this Spring and see if I can deal with the weight. I have learned a lot from your articles and I appreciate your effort and candor. Keep up the good work. I am going to use a new email address as my old one is going to be deactivated this year.

    1. Hi John,

      The M.Zuiko 150-600 is noticeably larger and heavier than the 100-400 so renting one to try it out is a prudent thing to do. I find that my Cotton Carrier harnesses are invaluable to take the weight off my arms when I’m not actively shooting. I imagine that the small area AF on the OM-1 MKII is probably close to the size of a single AF point with my E-M1X.

      Tom

  2. Excellent article, showing it’s all about technique rather than the gear.
    With an OM camera with bird detection would you have that running in the background along with the small single point focus?
    I find your articles so informative and have recommended to fellow Olympus users.

    1. Hi Andrew,

      For these types of photographs.. capturing images of birds that are visually obstructed… I would never use Bird Detection AI as there would be no logical reason to use this technology. When using a very fast frame rate a bird would not be able to move far enough to move out of focus. That’s why I use Single AF, rather than Continuous AF.

      If I owned an OM-1 camera, I would use single AF, with a single AF point (or a very small grouping given the number of AF points on the sensor) and use a frame rate of 120 frames-per-second. When I do a Pro Capture H run I’m looking for a select number of precise image captures. I really don’t care if I need to throw away most of the images from that run.

      But, that’s just me… other folks would use an OM-1 differently than I likely would.

      Tom

      1. Hi!

        Sorry for German, but I cannot copy/paste from a translator.

        Ich möchte mich anschliessen, ein sehr interessanter Artikel. Auch ich liebe es, die Vögel mit ihrer Umgebung zu zeigen. Ihre Flugkünste sind besonders in Sträuchern und Baumkronen zu bewundern!
        Aufgrund Ihrer Webseite habe ich mich kürzlich für eine OM-1MII entschieden und lerne seither jedes Mal dazu.
        Letzthin habe ich ProCapSH2 mit Bird-AF und C-AF, Cross-AF gearbeitet. Es sind ein paar wenige Treffer gelungen.
        Als nächstes versuche ich mich mit meinem Nikon 300/f4 in M-AF, ProCapSH1 (120fps, 60/60 = 1/2sec.) und folge damit Ihrer Technik. Vielen Dank für die Anregungen!

        BR, Peter

        1. I’d like to chime in; this is a very interesting article. I also love photographing birds in their natural habitat. Their aerial skills are particularly impressive in bushes and treetops!
          Thanks to your website, I recently decided to buy an OM-1 Mark II and have been learning something new every time I use it.
          I recently tried ProCapSH2 with Bird AF and Continuous AF, Cross AF. I managed to get a few good shots.
          Next, I’ll try ProCapSH1 with my Nikon 300mm f/4 in Manual AF (120fps, 60/60 = 1/2 sec.) and follow your technique. Thank you for the inspiration!
          Best regards, Peter

          Hi Peter,
          I’m glad you are finding the website of benefit!
          Any time that we move over to a new brand there is a learning curve. It took me a fair amount of time and practice before I felt confident with my Olympus (now OM) kit. I’ve never used an OM-1 or OM-1 Mark II so I can’t comment on those cameras. I’m not sure how much functionality you may lose using your Nikon full frame lenses on an OM-1 Mark II body.
          Tom

          Hallo Peter,
          freut mich, dass dir die Website gefällt!
          Jeder Wechsel zu einer neuen Marke erfordert etwas Einarbeitungszeit. Ich brauchte auch einige Zeit und Übung, bis ich mich mit meiner Olympus-Ausrüstung (jetzt OM) sicher fühlte. Ich habe weder eine OM-1 noch eine OM-1 Mark II benutzt, daher kann ich dazu nichts sagen. Ich bin mir nicht sicher, wie viele Funktionen du einbüßen würdest, wenn du deine Nikon-Vollformatobjektive an einer OM-1 Mark II verwendest.
          Tom

  3. Superb piece Tom the technique is first class and the results demonstrate the details perfectly.
    It’s something I have never tried on my EM1-x and the 100-400. I will once this crazy neuropathy calm a bit! Another good piece and as always superb shots and colours

    1. Hi Steve,

      I’m glad you enjoyed the images. The M.Zuiko 75-300 f/4.8-6.7 II is a quite a good lens for its price, especially in good light. It does struggle to achieve focus in low light conditions.

      Tom

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