Macro Treasures

Often we can find macro treasures to photograph while exploring the flower beds in the yards around our own homes. This article features a selection of images captured using handheld in-camera focus stacking in combination with the M.Zuiko 90 mm f/3.5 PRO IS Macro lens and M.Zuiko MC-14 teleconverter.

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OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/250, ISO-1600, handheld in-camera focus stacking, full frame capture, subject distance 295 mm

This combination provides a focal length of 126 mm (efov 252 mm) which can come in handy when potential subjects are a bit further away from a photographer’s shooting position. I almost always use a short stool when doing macro photography which can distance me slightly from a potential subject.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, -0.7 EV, 1/250, ISO-64, handheld in-camera focus stacking, full frame capture, subject distance 310 mm

Over time I’ve come to rely on the handheld in-camera focus stacking capability resident in my E-M1X for much of my macro photography.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/400, ISO-2500, handheld in-camera focus stacking, full frame capture, subject distance 290 mm

The output of the in-camera focus stacking function is a jpeg file… which I find is acceptable for my purposes. Other photographers may want to use the corresponding RAW files from the focus stacking function, and combine them in post.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-800, handheld in-camera focus stacking, full frame capture, subject distance 370 mm

Macro treasures seem to pop up all around me whenever I’m out doing this genre of photography. Small details that may not be of much interest normally, call out to me.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-640, handheld in-camera focus stacking, full frame capture, subject distance 405 mm

Finding a clean shooting angle helps to create good subject separation.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-4000, handheld in-camera focus stacking, full frame capture, subject distance 485 mm

My eye is frequently drawn to the repeating patterns that are so often found in nature.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-1600, handheld in-camera focus stacking, cropped to 4554 pixels on the width, subject distance 380 mm

I find the order and symmetry in these repeating patterns very appealing visually.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/250, ISO-2000, handheld in-camera focus stacking, full frame capture, subject distance 420 mm

Contrasting colours also catch my eye.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-2000, handheld in-camera focus stacking, full frame capture, subject distance 610 mm

My preference is to create my images as full frame captures whenever possible… so I can avoid cropping in post.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-1250, handheld in-camera focus stacking, full frame capture, subject distance 380 mm

There are times when a dead or dying flower bud can be of visual interest to me. In these situations I use equidistant composition technique to help create balance with the resulting image.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/500, ISO-2500, handheld in-camera focus stacking, full frame capture, subject distance 295 mm

Finding some insects in my yard is always a bonus. They can add some additional challenge if their legs or antennae are moving as I have to time my shutter release when they are as still as possible. Taking a stack of 12 images to be combined in-camera makes shutter release timing critical.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/13, 1/400, ISO-6400, handheld in-camera focus stacking, cropped to 4151 pixels on the width, subject distance 350 mm

The spider image above was one of my favourite macro treasures captured that day. It was on a web spanning across several Hosta leaves. Even in the slightest breeze it would bob back and forth… so I had to be very patient with my shutter release timing.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro at S-Macro setting with M.Zuiko MC-14 teleconverter @ 252 mm, efov 504 mm, f/11, 1/250, ISO-5000, handheld in-camera focus stacking, full frame capture, subject distance 225 mm

I love finding opportunities to really push myself and my camera gear. When I spotted a tiny fly perched motionless on a leaf I knew this would be a great opportunity to use the S-Macro (i.e. 2X native magnification) setting with the M.Zuiko 90 mm f/3.5 PRO IS lens.

I moved in very slowly as not to spook the fly. I was able to get in very close (225 mm) and used a stack of 12 images with a Focus Differential of 4. The resulting HHFS image more than filled my composition. I’ll have to use this technique more in the future.

OM-D E-M1X + M.Zuiko 90 mm f/3.5 PRO IS macro with M.Zuiko MC-14 teleconverter @ 126 mm, efov 252 mm, f/11, 1/250, ISO-4000, handheld in-camera focus stacking, full frame capture, subject distance 320 mm

Macro treasures are available to all of us. All we need to do is open ourselves up to experience the small details around us.

Technical Note

Photographs were captured handheld using camera equipment  noted in the EXIF data. All images were created from out-of-camera jpeg. I used a stack of 12 images with a Focus Differential of 4. This is the 1,466 article published on this website since its original inception in 2015.

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12 thoughts on “Macro Treasures”

  1. Hi,

    Good work!
    I’m visiting your website after a while. It seems you have improved your pp techniques. The colours have great fidelity. Can we know about it?

    Thanks!

    Deepa

    1. Hi Deepka,

      Thank you for the supportive comment… much appreciated. There are a number of articles under the Post Processing topic on the website which may be of interest. I hate working in post and spend as little time as possible, with images taking a maximum of 3-4 minutes in post.

      There was nothing special or different done with the images in this article than has been done with photographs in previous postings. I start by putting all of my images through DxO PhotoLab for some basic adjustments using Custom Profiles that I have developed over time. These are camera and lens specific, utilizing the automatic adjustments done by DxO plus some tweaks that I add. All of my images have PRIME noise reduction applied to a maximum value of 15. I also apply DxO Smart Lighting adjustments to all images. I then export a DNG file into an old copy of Photoshop CS6. Some basic slider adjustments are done in that program to further tweak my images. I tend to focus some of my effort on the contrast in an image. If needed an image may get some tweaks using the Nic Collection, and finally some adjustments in Topaz Denoise AI or Topaz Sharpen AI. I never do any batch processing and treat each image separately so I don’t have a specific regimen that I follow… other than the basic order with which I may use the various post processing programs I have. The M.Zuiko 90 mm f/3.5 PRO IS lens creates excellent image files which don’t require me doing that much in post.

      Not sure if this has been helpful for you.

      Tom

      1. Thank you for the detailed reply. Will visit your website more often. Keep on posting those delightful images!

  2. Beautiful images once again, your work is very eye catching. I only have the M.Zuiko 30mm macro, which is not very bug friendly. But everything else goes fine. I even made a DIY diffuser for a tiny old Olympus FL-LM3 flash, which takes its power from the camera. My OM-5 with the 30mm and DIY diffuser – now there is some compact combo! I can go very near to the subject and still have decent lighting. Or grab my TG-7 from my pocket, with LED light guide installed…

    1. Hi Iikka,

      Thanks for sharing your experiences with the 30mm macro and the adapting you did with your LF-LM3 flash. A compact combo indeed! I also like to use my TG-5 in microscopic mode.

      Tom

  3. Hi Tom

    I use the 60 mm with the cygnatech diffuser and the godox 350 as this makes a little studio
    l will email some images
    Regards Mark

    1. Hi Mark,

      Your set-up seems to be working very well for you. I think the key for every photographer is to find and use gear that best meets their needs.

      Tom

  4. Very nice piece to read Thomas the images from the 90 mm are very nice too, my favourite is the fly the sharpness of the lens is lovely.
    I shoot macro on the EM1-X with my 60 mm and I love that set up too.

    Thanks for the interesting article

    1. Hi Mark,

      I’m glad you enjoyed the article! We still have our M.Zuiko 60 mm f/2.8 macro… which now has a home in my wife’s camera bag. The 60 mm macro is a wonderful lens… the Mighty Mouse of macro!

      Tom

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