This article shares some handheld images taken in Whakarewarewa Forest which is near Rotorua on the North Island of New Zealand. We spent about an hour and a half exploring some of the walking trails, as intermittent rain fell.
NOTE: Click on images to enlarge.

There are over 5600 hectares of forest to explore, with a number of walking trails and opportunities for mountain biking and horse riding. Planting of the Redwood Grove in Rotorua began in 1901, with mixed results. The largest Redwood in Whakarewarewa is approximately 72 metres (~236 feet) tall and 169 centimetres (~ 5.54 feet) in diameter.

The trails we used were easy to navigate, consisting of a combination of wooden walkways and well worn natural paths.

When photographing stands of very tall, straight trees one of the challenges that we face is what to do with wide angle distortion. The image above illustrates uncorrected wide angle distortion. Some folks may like the feeling of convergence in this image. Others, like me, may not.

Here is another version of the same photograph where the wide angle distortion has been corrected with the perspective control feature in DxO PhotoLab7. This correction took less than 10 seconds to do. Many photographic software programs provide this type of feature.

When photographing in the forest it is important to look for areas of visual contrast, groupings of elements and opposing angles. In the image above the pathway provides an area of visual relief and acts as a leading line. The grouping of tall trees on the left hand side creates some initial vertical eye flow. The fallen tree trunk on the right hand side, pointing down towards the path, helps to hold a viewer’s eye towards the bottom left corner. This is further enhanced by the horizontal tree branches which cut over the vertical tree trunks.

We can also create some eye flow by grouping larger, thicker trees on one side of our composition. This helps to create eye flow towards the more open side of the composition. Having some people in our photograph can add scale to our image.

Often forests have very dense ground cover. Using natural dividing lines like a stream can help create a leading line and balance, in what would otherwise be a very busy and unfocused composition.

Another type of opportunity is to try to separate different species, and highlight their differences. For example, placing more delicate plants up against a backdrop of larger trees. This can make for an interesting juxtaposition in a composition.

Forests have a plethora of trees competing for water, nutrients and sunlight. They can also compete visually in our compositions. By adjusting our physical shooting angle we can hide some smaller, distracting trees behind larger ones to create better eye flow, and simplify a composition. You can see how the three large trees in the image above dominate this composition and help to guide your eye down the pathway.

Leaving dedicated pathways can also be helpful if we want to compose from a higher elevation. This can add more depth to a composition and enable us to integrate more elements into it. Make sure that there are no restrictions about leaving dedicated pathways in the location you are visiting. Going off established pathways can sometimes damage plants and delicate root systems. It can also lead to unfortunate encounters with wildlife, including poisonous snakes and insects.

We can often find repeating patterns along pathways in forests. These can be effectively used to create depth of field and eye flow in a composition.

Looking for single elements on the ground, or a number of them that are strewn about, present photographic opportunities as they can be integrated into our images. In the photograph above my wife used a fallen tree trunk as a leading line in the bottom left corner. This brings a viewer’s eye to the large cut portion of a fallen tree. She also used a reveal on the right hand side of her composition to help focus a viewer’s eye flow on that large cut portion of the fallen tree.

Double reveal opportunities can often be found along pathways in forests. In the image above you can see how using subject bleeds on the large trees on the left and right hand sides of this composition creates a double reveal… helping to force your eye down the pathway and into the image.

Here is an example of another double reveal. In this case it was intended to draw your attention to the delicate ferns on the forest floor.

Reveals can also be used to create a heightened sense of intimacy in a composition. I was in quite tight to the large tree on the right hand side of this composition. A viewer’s eye is drawn to the moss on the base of the tree trunk… thus acting as a corner anchor. Eye flow then moves to the large tree trunk on the left hand side… then down the pathway.

We can create a 3-D effect by overlapping one element over another… like the large tree branch cutting over the bench in the image above.

A well worn pathway can provide visual relief in a composition and serve as an effective leading line.

While we often may place wooden walkways in the centre of a composition, they can also be placed to one side if our objective is to highlight the underbrush and small trees. Rule of thirds positioning is often used in this scenario.

Using a wide angle focal length with a vertical composition can be an effective way to create a dramatic sense of scale in a composition. When photographing in forests it is always a good idea to remind ourselves to shoot compositions from both horizontal and vertical perspectives.
Technical Note
Photographs were captured handheld using camera equipment noted in the EXIF data. All images were created from RAW files using my standard process in post. This is the 1,438 article published on this website since its original inception in 2015.
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Hi Tom,
Definitely prefer the perspective corrected trees. Pixel-peepers will say that the stretched pixels have reduced micro-contrast. I say that the more pleasing aspect is a price worth paying. YMMV.
Thanks,
Jon
Hi Jon,
Thanks for adding to the discussion. I’ve never been a pixel peeper and never will be *shrugs*
Tom
Hi Thomas.
Great photos, but may I ask why you did not use the EM1X’s Keystone Comp. function to ‘straighten’ the trees in the first photos , instead of doing it in post?
Yours, Olaf
Hi Olaf,
I knew in advance that I purposely wanted to show wide angle distortion as I was planning to use the image in a future article.
Tom
Great photos and good narrative on composition. The grove could be set here in Northern California. One comment for visitors: please stay on the trails. Foot traffic can harm the shallow roots of redwoods.
Always enjoy your articles.
Hi Robert,
Thanks for your comment and the advice to our readers regarding the shallow roots of redwoods. Glad you’ve been enjoying the articles!
Tom