Captive Butterflies in Flight

This article features photographs of captive butterflies in flight captured handheld with the M.Zuiko 100-400 zoom at the Niagara Butterfly Conservatory.

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OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 3746 pixels on the width, Pro Capture H, subject distance 4.6 metres

It has been quite a while since I used my M.Zuiko 100-400 mm f/5-6.3 IS zoom lens so I decided to get in some practice time with it.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, -0.7 EV, 1/160, ISO-640, full frame capture, subject distance 2 metres

I started off photographing a few perched butterflies, but then quickly moved on to butterflies in flight.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 3229 pixels on the width, Pro Capture H, subject distance 4.9 metres

I ended up shooting primarily at one end of the indoor facility, with the majority of my images captured while I was sitting on a bench.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 3349 pixels on the width, Pro Capture H, subject distance 4.5 metres

This shooting position gave me good sight lines to two different plantings of flowers that were attracting different species of butterflies. I used about a 45 degree shooting area from my seated position.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 276 mm, efov 552 mm, f/8, 1/2500, ISO-6400, cropped to 2715 pixels on the width, Pro Capture H, subject distance 3.4 metres

The same species of butterflies tended to congregate around specific blossoms. This gave me a good number of opportunities to capture these captive butterflies in flight.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 3269 pixels on the width, Pro Capture H, subject distance 4.7 metres

In took about 25 minutes to capture all of the captive butterflies in flight featured in this article.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-2000, cropped to 3174 pixels on the width, Pro Capture H, subject distance 5 metres

I used Pro Capture H for all of the captive butterflies in flight images. Since this technology locks exposure and auto-focus based on the first frame of an image run, I stopped my lens down to f/8 for most of my images, to give me more depth-of-field.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 4167 pixels on the width, Pro Capture H, subject distance 4.5 metres

As is my standard practice when using Pro Capture H, I had my Pre-Shutter Frames and Frame Limiter both set to 15. I used a frame rate of 60 frames-per-second. These settings gave me 1/4 second of shutter response time.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 269 mm, efov 538 mm, f/8, 1/2500, ISO-6400, cropped to 3247 pixels on the width, Pro Capture H, subject distance 3.6 metres

I used a shutter speed of 1/2500 for the majority of my photographs of butterflies in flight. Most of my images were captured with my lens fully extended to 400 mm (efov 800 mm).

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-4000, cropped to 2763 pixels on the width, Pro Capture H, subject distance 5.3 metres

I had to be selective in terms of which butterflies in flight I chose for my images as it was a bit challenging to get them in positions that were well separated from the background in my compositions.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/6.3, 1/2000, ISO-2000, cropped to 3496 pixels on the width, Pro Capture H, subject distance 4.7 metres

Flight angle was also an important image consideration as the butterflies that were flying parallel to my focal plane tended to yield the best action captures.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 269 mm, efov 538 mm, f/8, 1/2500, ISO-6400, cropped to 3243 pixels on the width, Pro Capture H, subject distance 4 metres

From a pragmatic standpoint it also made sense to concentrate some of my efforts on the larger sized butterflies.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-6400, cropped to 3901 pixels on the width, Pro Capture H, subject distance 4.5 metres

It was a bit of a challenge to get a lot of variety in my images in terms of shooting angles and blossoms… but I viewed this as a practice session so I wasn’t overly concerned.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-3200, cropped to 3299 pixels on the width, Pro Capture H, subject distance 4.9 metres

The M.Zuiko 100-400 mm f/5-6.3 IS was a good lens for this type of subject matter as it size and weight suited the situation quite well.

OM-D E-M1X + M.Zuiko 100-400 mm f/5-6.3 IS @ 400 mm, efov 800 mm, f/8, 1/2500, ISO-4000, cropped to 3028 pixels on the width, Pro Capture H, subject distance 5.3 metres

The next time I visit the Niagara Butterfly Conservatory with the goal of photographing captive butterflies in flight, I plan on using my M.Zuiko 150-600 mm f/5-6.3 IS… so I can assess the relative merits of these two telephoto zoom lenses when photographing this specific subject matter.

Technical Note

Photographs were captured handheld using camera gear as noted in the EXIF data. All images were created from RAW files using my standard process in post. This is the 1520 article published on this website since its original inception in 2015.

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2 thoughts on “Captive Butterflies in Flight”

  1. Superb results Tom they look beautiful on this blog.
    I tried this recently at Whipsnade zoo here in the UK, sadly the instant I got my camera out the lens steamed up and whatever I did I couldn’t get it clean? Did you suffer any of this problem?

    1. Hi Mark,

      It is very common for a lens to “steam up” when taking a camera that has been in a relatively colder environment into one that is warmer and more humid. It will take some time for the camera and lens to warm up to the point when the condensation disappears. All one can do in the meantime is to keep wiping the end of the lens with a cleaning cloth to remove the condensation… and wait for the camera/lens combination to warm up to the temperature of the new environment.

      One of things to absolutely avoid is to change the lens on a comparatively cold camera body when first arriving in a warmer and more humid environment. This can cause condensation (i.e. ‘steaming’) to occur on the inside of a camera body, or on the first glass element on the inside of a lens (i.e. the lens element closest to the camera mount on the lens). Once that condensation forms on the inside of a camera body or lens it can take quite a long time for it to dissipate.

      Tom

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